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Aantal resultaten: 112( DE:"tegencultuur" )

Artikel

Maatschapij op de helling / [met bijdr. van] G.C. de Haas ... [et al.].

Onze Jaren 45-70 (1974) 101 (5-11 jan), p. 3202-3232

bron:	Onze Jaren 45-70 (1974) 101 (5-11 jan), p. 3202-3232
samenvatting:	Themanummer waarin Simon Vinkenoog, Coen van Emde Boas, Hanneke van Buuren en Bibeb schrijven over de seksuele revolutie en de tegencultuur van de jaren zestig en zeventig.
onderwerpen:	seksuele revolutie tegencultuur jongeren popmuziek subculturen vrouwenbeweging 1960 1970 1970 1980

signatuur:	ts.

Artikel

Children of paradise: a brief history of queens / Mark Thompson.

bron:
samenvatting:	Mannen in vrouwenkleren in de tegencultuur van de jaren zeventig.
onderwerpen:	tegencultuur crossdressing homomannen genderrollen homocultuur usa 1960 1970 1970 1980

signatuur:	cat. art. (gay/spi) b

Artikel

Freakweek : CSD und Alternative / Thiemo Beckmann.

Rik, 17 (2001) 6 (Jun), p. 20

bron:	Rik jaargang: 17 (2001) 6 (Jun), p. 20
samenvatting:	Schets van de Freakweek in Oberhausen (juni 2001), een alternatief voor de commerciële CSD's in Duitsland.
onderwerpen:	gay pride homobeweging lesbische beweging tegencultuur brd duitsland

signatuur:	ts.

Boek

Pink highways : tales of queer madness on the open road /

Michael Lane.New York, NY: Carol, cop. 1995 - viii, 247 p.

uitgave:	New York, NY: Carol, cop. 1995 - viii, 247 p.
onderwerpen:	homomannen reizen tegencultuur usa
samenvatting:	Reisavonturen van de mede-oprichter van Monk Magazine in de VS en de Sahara.

signatuur:	cat. (lane/pin) b
toegang:

Boek

Gay men and the left in post-war Britain : How the personal got political /

Lucy Robinson.Manchester: Manchester University Press, 2011 - xi, 219 p.

uitgave:	Manchester: Manchester University Press, 2011 - xi, 219 p.
annotatie:	1e dr. 2007. - Bibliogr.: p. 197-209.
onderwerpen:	homomannen homo-activisme tegencultuur homo-identiteit sociaaldemocratie socialisme homobevrijding uk 1945 2000 2000 2010
samenvatting:	This book demonstrates how the personal became political in post-war Britain, and argues that attention to gay activism can help us to fundamentally rethink the nature of post-war politics. While the left were fighting among themselves and the reformists were struggling with the limits of law reform, gay men started organising for themselves, first individually within existing organisations and later rejecting formal political structures altogether. Culture, performance and identity took over from economics and class struggle, as gay men worked to change the world through the politics of sexuality. Throughout the post-war years, the new cult of the teenager in the 1950s, CND and the counter-culture of the 1960s, gay liberation, feminism, the punk movement and the miners' strike of 1984 all helped to build a politics of identity. There is an assumption among many of today's politicians that young people are apathetic and disengaged. This book argues that these politicians are looking in the wrong place. People now feel that they can impact the world through the way in which they live, shop, have sex and organise their private lives. Robinson shows that gay men and their politics have been central to this change in the post-war world.

signatuur:	cat. (robinson-l/gay) b ODE3
toegang:

Artikel

Queer filiations: Adaptation in the films of François Ozon / Fiona Handyside.

Sexualities, 15 (2012) 1 (jan), p. 53-67

bron:	Sexualities jaargang: 15 (2012) 1 (jan), p. 53-67
samenvatting:	The adaptation of canonical literary texts in cinema is often linked to a genre known as 'heritage cinema', a form associated especially with European cinema and used to promote a conservative vision of the nation as a site of heteronormative reproductive futurity. However, recalling Judith Butler's assertion that all repetition carries within it the possibility of subversion, and, furthermore, that subversion requires repetition, adaptation reappears as a potentially queer textual activity. As Linda Hutcheon argues, adaptation is 'repetition without replication'. Through a close reading of differing modes and techniques of adaptation in the films of François Ozon, this article will demonstrate that adaptation offers the possibility of imagining new relationalities and affective encounters beyond the heteronormative reproduction of the nation state.
onderwerpen:	films queer theory heteronormativiteit tegencultuur frankrijk

signatuur:	ts.

Boek

Pleasure bound : Victorian sex rebels and the new eroticism /

Deborah Lutz.New York, NY: Norton, cop. 2011 - 331, [8] p.: ill.

uitgave:	New York, NY: Norton, cop. 2011 - 331, [8] p.: ill.
onderwerpen:	homokunstenaars erotiek homomannen taboes sociale normen tegencultuur uk 1800 1900
samenvatting:	At the height of the Victorian era, a daring group of artists and thinkers defied the reigning obsession with propriety, testing the boundaries of sexual decorum in their lives and in their work. Dante Gabriel Rossetti exhumed his dead wife to pry his only copy of a manuscript of his poems from her coffin. Legendary explorer Richard Burton wrote how-to manuals on sex positions and livened up the drawing room with stories of eroticism in the Middle East. Algernon Charles Swinburne visited flagellation brothels and wrote pornography amid his poetry. By embracing and exploring the taboo, these iconoclasts produced some of the most captivating art, literature, and ideas of their day. As thought-provoking as it is electric, Pleasure Bound unearths the desires of the men and women who challenged buttoned-up Victorian mores to promote erotic freedom. These bohemians formed two loosely overlapping societies - the Cannibal Club and the Aesthetes - to explore their fascinations with sexual taboo, from homosexuality to the eroticization of death. Known as much for their flamboyant personal lives as for their controversial masterpieces, they created a scandal-provoking counterculture that paved the way for such later figures as Gustav Klimt, Virginia Woolf, and Jean Genet. In this stunning exposé of the Victorian London we thought we knew, Deborah Lutz takes us beyond the eyebrow-raising practices of these sex rebels, revealing how they uncovered troubles that ran beneath the surface of the larger social fabric: the struggle for women?s emancipation, the dissolution of formal religions, and the pressing need for new forms of sexual expression.

signatuur:	cat. (lutz/ple) b
toegang:

Boek

Sex, Needs, and Queer Culture : From Liberation to the Post-Gay /

David Alderson.London: Zed, 2016 - viii, 316 p.

uitgave:	London: Zed, 2016 - viii, 316 p.
onderwerpen:	lhbtq+-sociale processen heteronormativiteit homonormativiteit lhbtq+-beweging kapitalisme homocultuur lesbische cultuur tegencultuur homobevrijding 1945 2000 2000 2010
samenvatting:	The belief of many in the early sexual liberation movements was that capitalism?s investment in the norms of the heterosexual family meant that any challenge to them was invariably anti-capitalist. In recent years, however, lesbian and gay subcultures have become increasingly mainstream and commercialized - as seen, for example, in corporate backing for pride events - while the initial radicalism of sexual liberation has given way to relatively conservative goals over marriage and adoption rights. Meanwhile, queer theory has critiqued this homonormativity, or assimilation, as if some act of betrayal had occurred. In Sex, Needs and Queer Culture, David Alderson seeks to account for these shifts in both queer movements and the wider society, and he argues powerfully for a distinctive theoretical framework. Through a critical reassessment of the work of Herbert Marcuse, as well as the cultural theorists Raymond Williams and Alan Sinfield, Alderson asks whether capitalism is progressive for queers, evaluates the distinctive radicalism of the counterculture as it has mutated into queer, and distinguishes between avant-garde protest and subcultural development. In doing so, the book offers new directions for thinking about sexuality and its relations to the broader project of human liberation.

signatuur:	cat. (alder-d/sex) b ODE3
toegang:

Boek

Bad Girls : Young Women, Sex, and Rebellion before the Sixties /

Amanda H. Littauer.Chapel Hill, NC: University of North Carolina Press, 2015 - xiii, 259 p.: ill.

uitgave:	Chapel Hill, NC: University of North Carolina Press, 2015 - xiii, 259 p.: ill.
annotatie:	Bibliogr.: p. 229-249.
onderwerpen:	onderzoek seksuele revolutie tegencultuur lesbische meiden seksualiteit usa 1950 1960
samenvatting:	In this study of midcentury American sex and culture, Amanda Littauer traces the origins of the "sexual revolution" of the 1960s. She argues that sexual liberation was much more than a reaction to 1950s repression because it largely involved the mainstreaming of a counterculture already on the rise among girls and young women decades earlier. From World War II-era "victory girls" to teen lesbians in the 1940s and 1950s, these nonconforming women and girls navigated and resisted intense social and interpersonal pressures to fit existing mores, using the upheavals of the era to pursue new sexual freedoms. Building on a new generation of research on postwar society, Littauer tells the history of diverse young women who stood at the center of major cultural change and helped transform a society bound by conservative sexual morality into one more open to individualism, plurality, and pleasure in modern sexual life.

signatuur:	cat. (litta/bad) b ODE3
toegang:

Artikel

Rubbish and Dreams: The Genderqueer Performance Art of Stephen Varble / David J. Getsy.

Archive : Journal of Leslie-Lohman Museum of Gay and Lesbian Art (2017) 62 (win), p. 1-7

bron:	Archive : Journal of Leslie-Lohman Museum of Gay and Lesbian Art (2017) 62 (win), p. 1-7
samenvatting:	Stephen Varble was "considered by some the embarrassment of SoHo, and by others the only touch of real genius south of Houston street". With these words, the art critic Gregory Battcock captured the contradictory appeal of this disruptive, driven artist. In elaborate, gender-confounding costumes made from street trash, food waste, and found objects, Varble erupted into New York?s streets. In his "Costume Tours of New York" in 1975 and 1976, he would lead onlookers on unauthorized visits to art galleries and other sites of commercial luxury. Without warning, Varble would appear as a vision of transformed trash in a dress of milk cartons, chicken bones, and pipe cleaners. A pantomimed performance would end with a swooning bow that spilled milk out onto a gallery floor, with him sweeping out to lead viewers to the next confrontation with art's commerce. Exhibition opened Sept. 29, 2018 and ran through Jan. 6, 2019 at the Leslie-Lohman Museum.
onderwerpen:	tentoonstellingen beeldende kunsten genderfluïde personen lhbtq+-theater homocultuur straattheater tegencultuur genderqueer personen usa 1970 1980

signatuur:	dgb artikelen (getsy/rub)

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