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Aantal resultaten: 9( DE:"transfeminisme" )

Artikel

Special Issue : Trans/Feminisms  / Ed. Talia M. Bettcher and Susan Stryker.

TSQ: Transgender Studies Quarterly, 3 (2016) 1-2 (may), p. 5-275
bron: TSQ: Transgender Studies Quarterly jaargang: 3 (2016) 1-2 (may), p. 5-275
samenvatting: This special issue of TSQ: Transgender Studies Quarterly on trans/feminisms profiles the remarkable breadth of work being carried on at the intersections of transgender and feminist scholarship, activism, and cultural production, both in the United States as well as in many countries around the world. It emerged from discussions within the journal's editorial board about how to respond - if at all - to the April 2014 publication of Sheila Jeffreys's Gender Hurts: A Feminist Analysis of the Politics of Transgenderism. As feminist scholars ourselves, we were concerned that Jeffreys's work, published by a leading academic publisher and written by a well-known feminist activist and academic who has expressed hostility toward trans issues since the 1970s, might breathe new life into long-standing misrepresentations of individual trans experience and collective trans history and politics that have been circulated for decades by Mary Daly, Germaine Greer, Robin Morgan, Janice Raymond, and like-minded others. We wanted to trouble the transmission of those ideas.
onderwerpen:
signatuur: ts.
Special Issue : Trans/Feminisms
ts.
Ed. Talia M. Bettcher and Susan Stryker.
TSQ: Transgender Studies Quarterly
3
(2016)
1-2
(may)
5-275
N298586
Artikel

Pornoterrorism  / Jennifer Tyburczy.

GLQ : A Journal of Lesbian and Gay Studies, 28 (2022) 4 (oct), p. 617-637
bron: GLQ : A Journal of Lesbian and Gay Studies jaargang: 28 (2022) 4 (oct), p. 617-637
samenvatting: Pornoterrorism is a form of mixed-media performance art in the Americas that combines postpornographic and transfeminist practices with political commentary often directed at the intersection of sex and terror. Through interviews with artists in Mexico City and visual and performance analysis, this article explores the short but potent history of pornoterrorism in Mexico, unpacking the genre and specifically examining why underground artists, formerly known as pornoterrorists, decided to relinquish certain aesthetic choices when confronted with the increasing violence and precarity of visual culture and everyday life throughout Mexico. Thus, while focused on Mexico and more specifically Mexico City, this article poses and seeks to answer a larger question on queer and transfeminist aesthetics and world making, namely, whether dissident art forms can lose their ability to subvert in the contexts of their changing geopolitical milieus.
onderwerpen:
signatuur: ts.
Pornoterrorism
ts.
Jennifer Tyburczy.
GLQ : A Journal of Lesbian and Gay Studies
28
(2022)
4
(oct)
617-637
N311572
Artikel

TERF or Transfeminist Avant la Lettre?: Monique Wittig's Complex Legacy in Trans Studies  / Blase A. Provitola.

TSQ : Transgender Studies Quarterly, 9 (2022) 3 (aug), p. 387-406
bron: TSQ : Transgender Studies Quarterly jaargang: 9 (2022) 3 (aug), p. 387-406
samenvatting: French lesbian author and theorist Monique Wittig's early contestations of woman as the subject of feminism have played an important role in gender studies in both anglophone and francophone spaces. Since the mid-1990s, French lesbian studies scholars and queer theorists alike have looked to her to anchor their contestations of normative sexuality within a French tradition and counter some of the universalizing aspects of Anglocentric queer theory. As a result, polarizing debates have sprung up over interpretations of Wittigian political lesbianism, typically focusing on divergent readings of her theorization of sex and gender between radical lesbians on the one hand and queer theorists on the other. However, far less attention has been paid to the implications of such debates for transgender studies. Since she has been claimed by trans-exclusionary radical feminists as well as by queer and materialist transfeminists in France, her legacy serves as a rich site through which to understand how the ideological conflicts between those groups relate to feminist history. Taking as a point of departure the appropriation of her name by the anti-trans group Résistance Lesbienne (Lesbian Resistance) that took over the 2021 Paris Pride March, this article fleshes out the implications of her work concerning the place of transgender people, and especially transgender women, in feminist spaces. Ultimately, it is her complexity that makes her a crucial figure for transgender studies insofar as she elucidates French ?gender-critical? feminism and its transfeminist critics.
onderwerpen:
signatuur: ts.
TERF or Transfeminist Avant la Lettre?: Monique Wittig's Complex Legacy in Trans Studies
ts.
Blase A. Provitola.
TSQ : Transgender Studies Quarterly
9
(2022)
3
(aug)
387-406
N311591
Artikel

A Right to Transition?: Gender-Segregated Spaces and the Legal Construction of Transgender Identity  / Kathryn J. Perkins, Grant Harting, Evelyn Ortiz Soto.

TSQ : Transgender Studies Quarterly, 9 (2022) 4 (nov), p. 609-633
bron: TSQ : Transgender Studies Quarterly jaargang: 9 (2022) 4 (nov), p. 609-633
samenvatting: How does the law determine gender and transgender for the purposes of admission to gender-segregated spaces? This article examines this question to understand how transgender identity is legally constructed in gender-segregated spaces. Using trans feminist legal theory, this article explores how the state conceptualizes and re/incorporates transness in a binary gender order. Through case studies of access to gender transition in gender-segregated educational and carceral spaces, the authors find that judges engage in gender naturalization work to legally construct transgender identity in ways that reinforce sexist conceptualizations of immutable and binary gender. We conclude with a discussion of the implications of this narrow construction of transgender identity for a trans feminist jurisprudence and politics.
onderwerpen:
signatuur: ts.
A Right to Transition?: Gender-Segregated Spaces and the Legal Construction of Transgender Identity
ts.
Kathryn J. Perkins, Grant Harting, Evelyn Ortiz Soto.
TSQ : Transgender Studies Quarterly
9
(2022)
4
(nov)
609-633
N312318
Artikel

The Trans Woman of Color's History of Sexuality  / Jules Gill-Peterson.

Journal of the History of Sexuality, 32 (2023) 1 (jan), p. 93-98
bron: Journal of the History of Sexuality jaargang: 32 (2023) 1 (jan), p. 93-98
samenvatting: In season 3 of Sex and the City (2000), Samantha moves into a $7,000 a month apartment in New York City's rapidly gentrifying Meatpacking District. In a series of now infamous scenes, she confronts a trio of Black trans women whose sex work in the early hours of the morning is driving her to open hysteria. "I didn't pay a fortune to live in a neighborhood that's trendy by day and tranny by night," Samantha exclaims at brunch. Her first attempt to resolve the issue is to patronize the women by complimenting their looks before asking if they would kindly move to another block. (Narrates Carrie Bradshaw: "Samantha always knew how to get her way with men, even if they were half-women.") But when they return and are loud enough to stall an orgasm with her boyfriend, Samantha opens her bedroom window, screams, "Shut up, you bitches! I called the cops!" and hurls a pot of water onto one of them. "I am a tax-paying citizen and a member of the Young Women's Business Association! I don't have to put up with this!" she rants to herself before launching the liquid projectile. A police car then appears on the street, and Samantha watches, triumphantly, as the Black trans women move on. The episode, as contemporary devotees of the series openly admit, hasn't aged especially well over the past twenty years. When the series was given a sequel, And Just Like That, Kim Cattrall, who played Samantha, chose not to return. But what that temporal marker of not ageing well signifies, I gather, is that the conventions of representing trans people, especially Black trans women, have since traversed the arc of the so-called trans tipping point, where framing racialized trans femininity and sex work as the butts of jokes colludes with actual social death and material vulnerability. What strikes me, albeit perversely, about the "bad object" of Sex and the City twenty years later is how plainly it offers its anti-Black transphobia, by contrast. Samantha's dehumanization of the three women working on her block is unabashedly presented not as the organ of a moral campaign but as her simple race and class status as a gentrifier. She wants the Meatpacking District policed and emptied of Black trans women because she pays a huge sum for her loft apartment. And she wants the privacy of her home to facilitate pleasurable hetero sex with her boyfriend, which requires that it be separate from the public, transactional economy of sex work. There is nothing especially occluded in Samantha's actions; they are defenses of a bourgeois white woman's sexuality through and through. And for that reason, I find them curiously unambiguous compared to the mystified interpretive landscape that typifies the appearance of Black trans women in much of contemporary sexuality studies.
onderwerpen:
signatuur: ts.
The Trans Woman of Color's History of Sexuality
ts.
Jules Gill-Peterson.
Journal of the History of Sexuality
32
(2023)
1
(jan)
93-98
N312329
Artikel

Public Policy as Trans Harm: Troubling Administrative Governance through Transfeminist Sports Studies  / Elizabeth Sharrow.

TSQ : Transgender Studies Quarterly, 10 (2023) 2 (may), p. 100-115
bron: TSQ : Transgender Studies Quarterly jaargang: 10 (2023) 2 (may), p. 100-115
samenvatting: The observation that systems of state governance are more apt to do harm or violence to transgender and gender-diverse people is foundational to the field of trans studies. This article argues that public policy - including policy design, implementation, governance, and administration - is an important target for transfeminist sports studies. It illustrates the importance of attending to Title IX of the Education Amendments of 1972, a federal sex nondiscrimination policy in the United States. This case underscores how public policy through its widespread enactment in American school-sponsored sports and overreliance on binary logics of sex-segregated categories remains paramount, though underanalyzed, as a vehicle for trans harm.
onderwerpen:
signatuur: ts.
Public Policy as Trans Harm: Troubling Administrative Governance through Transfeminist Sports Studies
ts.
Elizabeth Sharrow.
TSQ : Transgender Studies Quarterly
10
(2023)
2
(may)
100-115
N312833
Artikel

Queer African Feminist Orientations for a Trans Sports Studies  / Anima Adjepong.

TSQ : Transgender Studies Quarterly, 10 (2023) 2 (may), p. 153-159
bron: TSQ : Transgender Studies Quarterly jaargang: 10 (2023) 2 (may), p. 153-159
samenvatting: This commentary makes a case for developing trans sports studies out of queer African feminism. Queer African feminism is an epistemological orientation that affirms a flexible gender system, despite contemporary colonial gender ideologies, which insist on biological dimorphism. Queer African feminism offers to sports studies an analytical framework that attends to how colonialism, patriarchy, religion, and capitalism structure gender and sexual ideologies within sport and offers meaningful opportunities for disrupting these unjust systems. By centering the experiences of African athletes deemed intersex by sporting and medical authorities, the author demonstrates how current approaches to undermining sex segregation in sports still risk excluding certain athletes - intersex, nonbinary, and non-medically transitioning athletes. Ultimately, the author argues that if the goal of trans sports studies is to help bring about gender justice in sports, queer African feminism can offer a generative framework for attaining this goal.
onderwerpen:
signatuur: ts.
Queer African Feminist Orientations for a Trans Sports Studies
ts.
Anima Adjepong.
TSQ : Transgender Studies Quarterly
10
(2023)
2
(may)
153-159
N312859
Boek

A Short History of Trans Misogyny  / 

Jules Gill-Peterson.Brooklyn, NY [etc.]: Verso, 2024 - x, 182 p.
uitgave: Brooklyn, NY [etc.]: Verso, 2024 - x, 182 p.
onderwerpen:
samenvatting: There is no shortage of voices demanding everyone pay attention to the violence trans women suffer. But one frighteningly basic question seems never to be answered: why does it happen? If men are not inherently evil and trans women do not intrinsically invite reprisal--which would make violence unstoppable--then the psychology of that violence had to arise at a certain place and time. The trans panic had to be invented. Award-winning historian Jules Gill-Peterson takes us from the bustling port cities of New York and New Orleans to the streets of London and Paris in search of the emergence of modern trans misogyny. She connects the colonial and military districts of the British Raj, the Philippines, and Hawai'i to the lively travesti communities of Latin America, where state violence has stamped a trans label on vastly different ways of life. Weaving together the stories of historical figures in a richly detailed narrative, the book shows how trans femininity emerged under colonial governments, the sex work industry, the policing of urban public spaces, and the area between the formal and informal economy.
signatuur: cat. (gill/sho) b

ODE3
toegang:
A Short History of Trans Misogyny
cat. (gill/sho) b ODE3
https://ihlia.nl/search/covers/thumb/N317014_1.jpg
Jules Gill-Peterson.
N317014
Grijs

Lutte performative, activisme artistique, théorique et transféministe : Mémoire présenté dans le cadre de l'obtention du Master Création artistique, parcours CARMA Création Artistique, Recherche et pratique du Monde de l'Art.  / Camille Hébréard.

Toulouse: Université Toulouse - Jean Jaurès, 2019 - 160 p.
uitgave: Toulouse : Université Toulouse - Jean Jaurès, 2019 - 160 p.
onderwerpen:
thema:
  1. gender/seksualiteit studies
  2. transgender
samenvatting: Cet écrit en neuf chapitres, met en lumière un processus de recherche en création en arts plastiques, par l'étude des soubassements théoriques, artistiques et militants du travail performatif de son auteur. En tant que chercheur-performeur et chercheur-trans analysant les imbrications entre théorie, art et activisme transféministe, ce dernier adopte un point de vue triplement situé de chercheur-performeur-trans. La posture méthodologique au croisement des performances studies, des cultural studies, des études de genre et de la recherche en création, questionne ainsi l'origine de la performance, son évolution féministe et transféministe, mais aussi les effets d'une telle pratique d'abord sur ou en dedans le corps des artistes elleux-même, puis sur autrui, les spectat·eur·rice·s. Entre émancipation et pédagogie, cette recherche à même la performance tentera ainsi d'élaborer une épistémologie hybride, à la croisée de la pratique de l'art performatif et des questions que posent la transidentité, l'ensemble ouvrant sur un point de vue peut-être nouveau au sujet de la performance, de la corporalité ou encore des genres, et qui en propose en tout cas un mode de connaissance novateur.
signatuur: cat. (hebre/lut)

dgb grijs
toegang:
Lutte performative, activisme artistique, théorique et transféministe : Mémoire présenté dans le cadre de l'obtention du Master Création artistique, parcours CARMA Création Artistique, Recherche et pratique du Monde de l'Art.
cat. (hebre/lut)dgb grijs
N317575
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( DE:"transfeminisme" )

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